Tag Archives: Devon

Cards of Dartmoor National Park

After graduating from Exeter College of Art in 1989, Ric Horner spent the first two years of his career living and working on Dartmoor in Devon, developing a unique and profound engagement with light, mood and distance. Consequently he produced two solo shows; one at Marloes gallery in London in 1989 and one at Exeter College in 1990.

Twenty-six years later, in 2016, Ric had the opportunity to put together yet another stunning exhibition on the subject, this time at Green Hill Arts in Moretonhampstead on Dartmoor National Park. Thanks to his longstanding friend, supporter and art collector,  historian and internationally acclaimed author Dr Ian Mortimer, Ric was able to showcase a selection of over 40 original oil on canvas paintings in the town’s dedicated art space.

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Dr Ian Mortimer said about this exhibition in his introduction:

“Ric Horner is one of the country’s leading landscape painters. I have no doubt that, in due course, he will be recognised as one of the most significant landscape artists of our time. Ric’s dedication is astounding; his integrity no less so. For me it has been a privilege and an honour to be so closely involved with this exhibition, and to have been able to buy a number of his paintings over the years.

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The “Dartmoor: Theatre of Light” exhibition was on show from 10th September to 29th October 2016 at Green Hill Arts in Moretonhampstead and was very well received.

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This year, in spring 2024, Ric has returned to the subject and has produced over 60 different greeting card designs taken from this solo exhibition, as well as other Devonshire and Cornish coastal areas. You will find all relevant images under Cards, or request one of his image catalogues.

He is currently selling them via various gift shops across the Moor, including places like Moretonhampstead Visitors’ Information Centre, Artisan Chagford and MAKE Southeast in Bovey Tracey.

With over 150,000 visitors a year traveling to Dartmoor National Park, there can be no question that Dartmoor and it’s landscape has attracted artists, as well as tourists for centuries and helped fire their imagination. From the thick mists that suddenly appear and roll across the moor to the dark, bottomless mires and the craggy granite tors, each lends an air of mystery and magic, all ripe for associated legends and tales.

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  http://visitmoretonhampstead.co.uk. 


www.ianmortimer.com

 Dr Mortimer says about Ric’s work:

In this exhibition, you will find yourself on a road at night having just seen the first welcoming streetlight of the village: you will soon be home and warm. The sun has gone down behind Laughter Tor leaving a few drifting clouds and vapour trails in the deep blue sky: the seemingly eternal rocky outcrop is juxtaposed with the ephemeral vestiges of the day. But the most striking feature of these Dartmoor paintings is the light. Often the painting is not actually about the hill, rock or any other object in the distance; it is about the space between you and that object. It is a portrait of the light, a place where skies brood, threaten, delight, obscure with mist, groan with rain or brighten with a ray of optimism.”

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“A stunning exhibition of the highest calibre!”

“Poetic, beautiful, bold and absolutely marvellous!”

They are  sublime. So magical and true to the atmosphere”

“Ric Horner’s work is superb – truly spectacular!”

“Breathtaking views and big skies! Fabulous.”

Wow! “I absolutely love your work; such stunning paintings. The most amazing sky and little houses shining like jewels.  What an uplifting exhibition!”

We recently saw your Theatre of Light exhibition in Moretonhampstead and were both really moved by it. I just wanted to let you know how delighted I am to have been able to purchase one of your pictures. I bought your picture of Scorhill (image below). It’s always been a favourite place of mine on the Moor and your picture captures it so vividly.

 

Ric in his studio in summer 2016 preparing for the show.

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Below: Friends Ian Mortimer and Ric Horner on field trip to ‘The Strangles’ in September 2014, where the idea of the ‘Theatre of Light ‘ exhibition was first perceived.

Ric is available for commissions. Please contact him at: enquiries@richorner.com, if you fancy your own favourite views painted.

He is currently ( March 2024) working on large panorama focusing on the pebble bed heaths around Joney’s Cross, a high point halfway between Exeter and Sidmouth looking towards the coast in East Devon.

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Related Images:

Available Paintings – March 2024

Ric has currently about 30  original oil on canvas paintings available (see images below). Prices for these pieces start at around £ 250. He is also working on several commissions at the moment, as well as on a series of large Whitstable beachscapes, which hopefully will be completed in the next couple of months.

West Beach, Whitstable. oil on textured wood panel. 88 x 98cm – available

There is also  a wonderful range of smaller, framed and unframed Gouache (water colour) studies that start at around £ 75.

Ric’s  prints range from £ 15 to £ 160. View all prints here!                 Greeting cards are £ 3 – 3.50

Large commissions (see below) can be up to £ 3000. 

Commission March 2024 – sold

Please note, all international orders of original oil paintings should always include insurance. Postal costs will vary according to size & weight, as all paintings are sent in bespoke wooden crates for protection. For insurance quotes and p&p contact me at: enquiries@richorner.com, or tel.: 07835294317.

Follow Ric on Instagram.com/richornerpaintings 

 

Ebb and Flow, 30 x 40cm, oil on canvas – available  

 

 

 

Light obscured (West beach), 50 x 50cm, oil on canvas – available 

 

 

 

 

Solstice, 30 x 30cm, oil on canvas – available

 

 

 

Margate Harbour Evening Light, 22 x 22cm, oil on canvas – available

 

 

 

Summer Storm Clouds, 30 x 60cm, oil on canvas – available

 

 

 

Sunlight through rain, 61.5 x 28cm, oil on canvas – available

 

 

 

Lost BuoyLost Buoy, 61 x 67cm, oil on wood panel available

 

 

 

Whitstable Harbour (misty evening 2021), oil on box canvas, 78.5 x 78.5cm – available

 

 

 

First LightFirst Light, 71 x 81cm, original painting, oil on wood panel (framed) – available 

 

 

 

Salcombe Harbour, 26 x 26cm, oil on canvas – available

 

 

 

Cloud Race, 20 c 20cm, oil on canvas – available

 

 

 

 

Cloud structures, oil on canvas, 30.5 x 23cm (reserved)

 

 

 

Kent Landscape near Faversham (2), oil on canvas  – available

 

 

 

Kent Landscape near Faversham (1), oil on canvas, 30 x 17cm – available

 

 

 

Kent Landscape, 30 x 24cm, oil on canvas – available

 

 

 

Meadow at dusk, oil on canvas, 28.5 x 17cm – available

 

 

 

Our pathways, oil on canvas, 23 x 33cm – available

 

 

 

Sunlit Clearing, 71 x 71cm, oil on canvas – available 

 

 

 

Whitstable HarbourKent coast, 20 x 20cm,  oil on canvas  – available

 

 

 

Spring Tide, 21 x 26cm, oil on canvas – available

 

 

 

 

Weather Study, 26 x 20cm, oil on canvas – available 

 

 

 

Rain Gap, West Beach, 20x 20cm, oil on canvas – available 

 

 

 

View across the OazeThe view across the Oaze,  22 x 22cm, oil on canvas – available 

 

 

 

 

Kent first Snow, last lightKent first Snow, last light. 23 x 30.5cm, oil on canvas – available

 

 

 

Long after Sunset (June)Long after Sunset (June), 28.5 x 17cm, oil on canvas – available 

 

 

 

Thunderhead Cloud studyThunderhead/ Cloud study, 28 x 28cm, oil on wood panel –  available 

 

 

 

West Beach Whitstable (3), 50 x 40cm, oil on canvas – available 

 

 

 

Hay Tor rocks, 38 x 38cm, oil on wood panel –  available 

Dartmoor 2, 63 x 40cmMoorland dawn,, 63 x 40cm,  oil on canvas – available 

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All water water colour paintings, as well as framed prints can be found at the shop page: Shop | Ric W. Horner

Ric has spent many months over the years painting the view from his studio using Gouache, a water-medium paint consisting of natural pigment, water and thickened glue-like substance (gum binding agent) to achieve brilliant, vibrant colours that are lightfast, smooth and solid. Gouache is a French word, from the Latin root aquatio, “watering place” and simply means “watercolour”. The way it’s applied is by using a brush and watercolour paper. He likes this medium for it’s quick-drying, bold qualities and has produced over 30 pieces in recent months, many of them are about 35 x 20cm in size, including a protective mount.  Gouache generally dries to a value that differs from the one it has when wet (lighter tones generally dry darker and darker tones tend to dry lighter), which can make it difficult to match colours over multiple painting sessions. Its quick coverage and total hiding power mean that gouache lends itself to more direct painting techniques than watercolour. Many “en plein air” paintings take advantage of this, as do the works of J. M. W. Turner.

Below: work in progress…..

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Related Images:

Paintings of Salcombe

The UK coastline is some of the most beautiful in Europe and has a huge number of sailing towns that range from rocky and scenic to stylish destinations known to visitors from around the world. You just can’t beat the rugged cliffs and lush green landscape of England, which is unofficially the ‘home of sailing’ and it has a long and glorious tradition of boat building and for rearing fine sailors.

South Devon is more sedate and often warmer, sunnier than North Devon. It also gets lower rainfall. Salcombe in particular is known for its outstanding views, rolling surrounding countryside, breath-taking natural beauty, sparkling turquoise waters and rugged cliffs. It is a pretty coastal town with lovely spots for sailing traditional boats, or classic yachts. Salcombe was once a major port for the fruit trade and, over the years, has found fame as a safe haven for family holidays and visiting yachtsmen. It is situated at the southern end of the Salcombe Estuary; the estuary is, in fact, a ria which is a landlocked, salt water inlet, with stunning beaches.

Sailing around the UK will get you out of the crowded Solent and into waters further afield. This adventure involves open-ocean and much more offshore-orientated sailing, which may mean rougher weather and more challenging conditions. Ilfracombe in North Devon and Bardsey Island in North Wales for example are far more open to the elements as they catch the Atlantic ocean swells to a greater extent than places further South. This means bigger waves and longer and sandy beaches.

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From August 2017 to February 2018 Ric was represented by the Tonic Gallery in Island Street, Salcombe, South Devon. 

 https://tonicgallery.co.uk

Salcombe Tonic Gallery

Sadly, this arrangement has now come to an end.

Salcombe estuary – sold
Tonic Gallery Salcombe
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Ric has recently created a new range of greeting cards of the British coastline. Have a look at the selection below, or you can also request a card catalogue:

Cards

Some of the larger seascapes are also still available. Please view the front page for more details.

Many thanks.

Related Images:

White Wood Gallery

 Ric was represented by the White Wood Gallery in Ashburton, Dartmoor from November 2016 until February 2018. This arrangement has now come to an end. This image has an empty alt attribute; its file name is Ric-@-Whitewood-3.jpg

 Lovely feedback was received from previous buyers:

dartmoor-1-31Dear Mr Horner, as a 50th Wedding Anniversary present to ourselves we purchased from the White Wood Gallery in Ashburton your oil painting entitled “Approaching Rain near Princetown, Dartmoor” (see above). My wife and I have known, loved and frequently visited Dartmoor since we were both young and we felt your painting captures the atmosphere of the Moor very well. We are generally more familiar with the eastern side of the Moor – i.e. Chagford/ Haytor/Hound Tor – and not so familiar with the area around Princetown. We wondered if you were able to give some more detail of the location from which your painting was taken?

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